SYNOPSICS
Compromising Positions (1985) is a English movie. Frank Perry has directed this movie. Susan Sarandon,Raul Julia,Edward Herrmann,Judith Ivey are the starring of this movie. It was released in 1985. Compromising Positions (1985) is considered one of the best Comedy,Drama,Mystery,Thriller movie in India and around the world.
Judith Singer is a housewife, out of the journalism business for many years. When a dentist she has been seeing (who has a strong bedside manner even while female patients are still in the chair) is found murdered, she finds that a neighbor is a suspect. She begins to investigate. This places her in danger from the murderer, from the women who have had affairs with the dentist, and from the police who begin to wonder why she is always at the scenes where clues are discovered. Her husband becomes angry at what is happening, placing strains on her family as she finds herself more and more attracted to the police detective investigating the murder.
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Compromising Positions (1985) Reviews
One of the best
This is one of the biggest surprises to come out of the 80's. I could watch it over and over....Susan Sarandon is great (a strong and dynamic woman trapped in a dull marriage to a total jerk) - Edward Herrman plays the perfect total jerk. Judith Singer's relationship with the lieutenant played by the wonderful late Raul Julia is beautifully played out. The funniest of all is Judith Ivey with her unbelievable delivery (especially the line about the cole slaw). The tongue in cheek parody of an annoyingly incestuous suburban community is handled with subtle humor and total class. I really recommend this movie! BTW, Compromising Positions is based on the novel by Susan Isaacs; if you love the movie you will adore the book as well.
Fun rainy day movie, with a hilarious Judith Ivey
This is a movie that you will have fun watching, and you might find yourself watching it again and again. It is certainly throwaway, and will never show up on anyone's top ten list, but it works nonetheless. Like The Late Show with Lily Tomlin and Art Carney, it involves a woman investigating a mystery, a seasoned detective and humor evolving from the lead character being involved in something so over her head. Judith Ivey has some great moments as an artist/housewife who loves her husband but seeks out meaningless sexual trysts. Her pure hedonistic attitude toward her lifestyle, and unshakable lack of guilt make for some hilarious moments. Susan Sarandon plays a naive housewife who used to be a reporter. She longs for the excitement, but is hampered by a domineering husband who wishes for nothing else from her than a hot meal and clean underwear. It's no wonder she's ripe for an affair with the lead detective on the case, Raul Julia. He finds himself falling for her despite the fact that she's driving him crazy by horning in on the case. I love this movie for the same reason that I love Six Days and Seven Nights with Anne Heche and Harrison Ford, it's funny and has a nice romantic plot that keeps me coming back again and again to experience it. This is Sunday afternoon fodder, lazy day entertainment that won't ruffle your feathers with too serious subject matter and objectionable content. It's just a fun movie. I really enjoyed seeing Raul Julia pining over Sarandon. Too many times he was the heavy in a film, or being subjected to the machinations of one. Here he is just a man who happens to be a detective, and the only thing heavy about him is the change in his pocket. Sarandon plays her part well, acting oblivious to her growing interest in Julia, a point that Judith Ivey makes clear in blunt and humorous terms. It's a little silly, and you can see things coming a mile away at times, but all in all you'll be glad you rented it. My wife liked it a lot as well, and it's always nice to find a movie that women like that doesn't smell like potpourri before you even get it in the DVD player. If you like movies like Fletch, The Late Show and Six Days, Seven Nights, you'll enjoy this.
The secret life of vegetables. Vegetarians beware!
A good script (with adult themes) and an excellent cast make this a most enjoyable caper-comedy about the secret life of an upscale dentist. What this one does with vegetables gives one pause about eating salads anywhere but home, as Judith Ivy (particularly good as an oversexed suburban housewife) dryly points out in one of the funniest lines in the film. The movie is fast-paced with very good direction and production values. Maybe not quite a "10," but close to it.
Likable but thin and uneven
I recently rediscovered this movie in a box of old tapes. Unable to remember much about it, I watched it twice more. This made me appreciate the film more, but also reminded me of its flaws and limitations. A sleazy, tacky, womanizing dentist (Joe Mantegna) serving an upscale New York suburb is murdered in his office one night. A new patient (Susan Sarandon) is drawn into an amateur investigation of the case, rekindling her own spirits and interests. She is the unassuming, dowdy housewife of an egotistical, stressed-out, button-down corporate law firm attorney (Edward Herrmann). Years ago, she was a reporter. Many in her circle of female friends and neighbors are either gossiping about or had affairs with the dentist (he would say "there is only one way to find out if you are a natural blonde"; when first going out with a new woman, he would take her to a Chinese restaurant by a motel; afterward, he would not even spring for the meal, heading directly to the motel "so they could spend the most time together"). A married woman is desperate to recover the dentist's nude photos of her in lewd poses, which he also took of others, including his nurse. The suspects include these women, along with Sarandon's tight-lipped neighbor; the dentist's short, nasal, hard-edged wife with the "Nazi dog" (Sarandon's term, after it practically pushes her up and over the back of an armchair trying to take a bite out of her groin); the dentist's chubby, bald, weak-willed brother-in-law, who is a printer and may have worked with him and the mob to produce pornography that "would make a child molester happy"; and the brother's tall, blonde wife. As she investigates, Sarandon takes abuse from her self-centered, work-absorbed husband and from a sulky, tall-dark-silent-type police detective (Raul Julia). They complain that she is imposing on them, is in over her head, is getting in the way, and is endangering herself (at one point, her kitchen is vandalized). She perseveres, wins the cop's heart and finally her husband's grudging respect, hatches a plan that causes her to stumble into the solution of the murder, and triumphantly presents her free-lance story to a previously skeptical, patronizing editor for publication. As the movie fades to credits, she is working on another. Sarandon is immensely likable as the down-to-earth, wide-eyed, spunky heroine. Her interplay with her female friends and neighbors -- who range from prim-acting and reserved to bawdy and flamboyant -- is fun. In particular, these characters are drawn with wit, intelligence and attention to detail. The acting is uniformly good. There are nice touches of black humor (e.g., the killer is provoked by the dentist's extra insensitivity in including a certain subject along with the featured woman in one of his photos). Mantegna gets almost no screen time, but we learn enough about his crude tactics through other characters that it might even have been heavy-handed to see more of him in action. Yet, the film is unsatisfying. Although there is some smart, spicy detail to the dialogue and characters, and Sarandon's good-natured perseverance is endearing, the movie does not amount to much in the end. It is itself like light-weight, gossipy chatter with comfortable, quirky friends about a scandal. It may be a pleasant ride, but it does not feel as if it has much meaning. (The closest the film comes is Sarandon's talk with her brash, philandering friend about marriage and attraction to other men, but it is short and surface-level. Even War of the Roses and Heartburn make more of an impression.) And even the ride becomes a little slow and repetitive after the quirky characters are introduced and as the film wears on, including some bumpy parts (the mob/pornography angle comes off as a vague, muddled, off-putting contrivance). The film does a good job of creating characters to serve its humorous side. But it does a poor job of creating characters who represent the film's serious side and/or of weaving them into the comedy. Herrmann's part is well-written and well-acted -- for another movie. His strident rants against Sarandon for not appreciating how hard he works to provide for her and for not dropping the case and staying at home (and her screaming tirade back at him at one point about having to put up with his late-hour, uninteresting work and needing more in her life) are jarringly out-of-place with the comedy and overall tone of this film. Julia's bland, stiff, tight-lipped, undeveloped character is a huge disappointment. The film makes no attempt to credibly establish him as a cop; he does not make one smart, skillful move in the entire film. We know absolutely nothing about him, except his clipped answer to Sarandon late in the movie that he is divorced with two teen boys. With little more to do for most of the film than deliver tedious, by-the-book warnings, over and over again, that she should not interfere, he is reduced to a Latin Jack Webb. Then he suddenly, awkwardly, without explanation, confesses his love for her, thereafter appreciating her meddling in the case. This abrupt, poorly developed scene comes out of nowhere and goes nowhere, apparently depending heavily on the on-screen "chemistry" between the two actors rather than on intelligible, credible story development. I am all for honoring Julia as an actor, but to mean anything it should be for something meaningful in the material or his performance, not simply for being someone's idea of a "hunk." It is easy to agree with other reviews that this film has the makings of a fun, old favorite, perfect for revisiting for a pleasant, familiar diversion on a bad-weather weekend afternoon. But to leave a review there ignores nagging problems that get in the way of fuller enjoyment of the movie, on first or repeat viewing. As its relative obscurity suggests, the film is likable but too thin and uneven to really satisfy.
A must see for Susan Sarandon fans. . .
. . .but anyone else should like it,too. I saw it for the first time in the theater when I was 19. It was the first movie I went to alone because none of my friends wanted to see a "girl's movie". It is that, but it's a wonderful one of those. Since then I've seen it a dozen times and it always makes me laugh. Susan is wonderful as always and Raul Julia is solid, but Judith Ivy steals every scene she's in. Some of the other characters are excentric to distraction, but over all it's very entertaining. It's the kind of comedy that's amusing even if it's not laugh-out-loud funny all the time. Now it's a little dated, but still really fun to watch.