Youth in Oregon (2016) Reviews

• stop yelling and just talk

  ferguson-62017-02-02

  Greetings again from the darkness. This is one of those tough little indie movies that would fit right in at most film festivals. Directed by Joel David Moore and written by Andrew Eisen, the film has a few exceptional scenes, yet once it's over, it's pretty easy to just leave it behind. That shouldn't happen with a story dealing with a theme of death with dignity. Shouldn't there be a desire to talk about the issue, or at least spend some time in thought? Perhaps the reason this one isn't the gut-punch we expect is that while the central reason for the story is 80 year old Ray's (Frank Langella) desire to end life on his terms, the vast majority of screen time is devoted to the exceptionally dysfunctional family that surrounds him. It's not an "issue" movie, and dysfunctional family movies are about as common as superhero movies these days … we've become a bit numb. Ray and his wife Estelle (Mary Kay Place) are living with their daughter Kate (Christina Applegate), her husband Brian (Billy Crudup) and Kate and Brian's teenage daughter Annie (Nicola Peltz). It's a crowded house where emotions run high, voices are usually amped to 11, and Kate and Brian's marriage is stressed to the limit with responsibilities. Bad news at the doctor's office leads Ray to the crucial decision on his future. He announces this while giving the most uncomfortable birthday speech ever at dinner that evening … "I want to die." It's a terrific scene and each person's reaction is priceless – to the point where we almost wish it were in slow motion so as not to miss anything. Typically poor teenage judgment by daughter Annie means mother Kate stays at home for discipline, while Brian reluctantly agrees to drive Ray cross country to Oregon to find out if he qualifies under the mercy killing law. Estelle and her always present booze come along for the ride, but it's mostly the strained relationship between Ray and Brian that generate the fireworks. Along the way, they add Ray's estranged gay son Danny (Josh Lucas), as well as Brian's angry college age son Nick (Alex Shaffer). Once they reach Oregon, another wonderful scene/sequence occurs as Ray meets up with a longtime friend who has made the same decision. It's a well handled and well acted portion of the story. Ray's decision to hide his medical diagnosis from the family is the source of the most recent conflict, but there's a history in this family. Isn't that always the case? A lack of communication often causes even more issues than too much honesty. The abundance of dysfunction can't be offset by some peaceful bird-watching, and all of the frustration and anger prevents the necessary conversations on the more interesting topic … a reason to live vs. a desire to die. A slight re-focus would have taken more advantage of the terrific performance of Langella, and added some fun to the post movie discussion.

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• Hard decisions served cold.

  greenblueglee2017-07-16

  I agree with some of the points other reviewers have made, but I wanted to offer an opinion from inside the subject matter of the film. Has a member of your family chosen to die by their own hand because they face the rest of their lives in an ill and endlessly declining body? Or do you currently know someone who is now, or has been, terribly ill and now faces an unknown quantity of time on Earth with a seriously altered body that no longer looks or functions normally? From both of these perspectives, I watched this film, hoping to see something with which I could identify. I ended up feeling a bit ripped off - which really made me think. As others have said, what you think should be the vital points of the topic feel buried under heavy-handed drama that grates on the nerves rather than lending a sense of "the real stuff people have to deal with when they're alive." And yes, it feels like a screwball comedy that had all of the humor erased from the script. An artistic choice? I don't know. Yes, people get angry when faced with the possibility or the reality of a loved-one's suicide. Anger, resentment, guilt, it is all there. But there is no "voice of reason" in this film, and I suspect that's what most viewers feel cheated of. We want a magical ending, a sense of completion, catharsis, or at least a sense of dramatic satisfaction (the ending may not be the one we hoped for, but it felt 'right'). What was Roy thinking, sitting in the room with his friend Pete? To me, in retrospect, that was the climax of the film - the point where a decision was made and now everyone in the story has to figure out how to deal with it (and with all the things they've said to each other throughout the film). This movie may not be what we wanted, but it is what it is and we have to choose how to deal with it and with its subject matter (which isn't what we were hoping for, let's face it). People make choices. There are cumulative consequences for every one of those choices, and there is no "easy" out. Death is never an "easy" out. That stings, both in art and in life.

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• drive this way

  lee_eisenberg2017-06-03

  Joel David Moore's "Youth in Oregon" is no masterpiece but is still worth seeing. To my knowledge, it's the only movie that focuses on Oregon's Death with Dignity Act allowing physician-assisted suicide. In this case, Frank Langella plays an elderly man who asks his family to drive him to the Beaver State so that he can take advantage of the law. Not surprisingly, tense familial issues arise. I'd say that the movie is interesting more than anything. The elderly man and his wife travel across the country driven by their son-in-law, while the daughter stays home to keep an eye on the rebellious granddaughter. Each of the characters has something to say, but I particularly liked the old man's talks about his adventures from his younger days. Anyway, it's worth seeing. Not a great movie, but an OK one.

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• Good Film

  senseandsense2017-02-02

  So its a very good film that I saw at in New York at Tribeca. Great cast and direction but really its the story that is the star. Not implausible that the old guy is tired and wants to go to Oregon and end it. The concept of ending your own life when you want rather than having something bad happen to you from cancer heart attack etc ad nauseum is becoming in the zeitgeist. Its catching a wave as a discussion point versus the old dogma from the Catholic Church and other religions that its a big no no. So how people in a family deal with the concept of a loved one deciding to end his life is real. Was also in Me Before You but this one is way less Hollywood and much more real. Its just beginning of these type of stories in some for or another. So kudos to the writer director and the cast for bring the story to the screen

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• Very flat

  blazzck62017-02-07

  Another attempt at fooling people with the trailer that this is another little miss sunshine movie . This movie misses completely I like the actors in this movie that's why I watched it but the script Is poor and the story line isn't great . There was no big lines to sense some closure anytime in the movie it was all over the place . The actors never got into character it seems like and they are trying to hard it's almost annoying I'm a 28 year old man thinking about getting old and doing what the motive was the movie is a waste of time . The point of the movie ? When you find out please tell me cause I am lost Oh yea Josh Lucas reappeared in a movie ! Bad one to chose

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