Fierce People (2005) Reviews

• A coming-of-age tale that's a complex, quirky treasure

  larry-4112006-10-16

  I attended a screening of "Fierce People" at the 2006 Woodstock Film Festival. I hesitate to label it a "premiere" of any sort, since it was shot in the spring of 2004 and had its world premiere at Tribeca in 2005. It played several festivals that year. Release seemed imminent, then it disappeared. Poof. Vanished. Or so it appeared to the film-going public. Rumors of a theatrical or DVD release have popped up now and then, but all proved unfounded. Then this screening was announced. Perhaps one can call it a "re-premiere?" It certainly felt as if I was witness to a buried treasure. And what a treasure it was. I suppose one could characterize "Fierce People" as a coming-of-age drama. But it also has elements of comedy and tragedy, as well as mystery. And a bit of farce thrown in. In short, real life. That makes it hard to pigeonhole, which puts it more into the category of an indie as opposed to a Hollywood movie. But its high production values, big budget feel, and star caliber cast seem at odds with the indie label. So let's call it a hybrid. And, perhaps, that's why it's been "lost." It defies categorization. Meet Finn Earl (Anton Yelchin), 15, whose father is absent. In fact, Finn has never known him. But he sees him and hears him via the collection of home movies sent from South America. Dad is a renowned anthropologist, and has made a name for himself by setting up shop with the Yanomani, the tribe of "Fierce People" who live to kill and, well, procreate. All their activities are built around those two "tasks," and Finn is captivated by it. Mom Liz (Diane Lane) is also somewhat absent. Although present physically, she is lost in a world of cocaine and alcohol. So Finn becomes an adult in his little solitary world with his reels of film. One summer, Mom decides to drag Finn along with her into the wilds of New Jersey. A massage therapist, Mom has catered to a wealthy client, Ogden C. Osborne (Donald Sutherland, in a tour de force performance) and he has invited her for an extended house call at his palatial estate. Osborne's "tribe" includes an assortment of eccentric rich kids, servants, and village idiots among whom Finn will find himself part of his own anthropological study. Will his experience with Dad's films help him survive life as a visitor to this tribe? Will he be accepted? Or will he be seen as an outsider, concurrently struggling with his own identity as an adolescent? Such is the stuff of fairy tales, and I suppose this would be if not for the dark underbelly which director Griffin Dunne and writer Dirk Wittenborn have infused into this magnificent story. With Anton Yelchin's voice-over, intercutting pieces of Dad's home movies, Finn must learn to go back to being the teenager he never really had a chance to be, stop being the parent to his Mom, allow newly-sober Mom to be parent to him, and learn responsibility on the way to adulthood the way it should have taken place all along. Yet he needs to make this transformation in a dangerous, dark world where playing with fire is folly to this fractured family. This is, first and foremost, a story-driven film and Griffin Dunne emphasized as much in the intro to the film. He bought the rights to Wittenborn's novel even as it was being written, and Wittenborn's own screenplay comes to life in the hands of the masterful Dunne in a way that's a work of wonder. This is also largely a character-driven film, and Sutherland has never been better. His star turn as Osborne stunned those around me and will likely leave you amazed as well. Diane Lane's character ultimately exhibits so many personalities that it's hard to imagine another actor pulling it off so well. She is breathtaking. But more than anything, "Fierce People" is Anton Yelchin's film. He has a long resume as a child actor but preciously little as a teen. Other than the little-known "House of D" (also a gem), he is best known as Byrd on TV's "Huff." In January, he will be seen in "Alpha Dog" (also sitting on the shelf since 2004, a film I saw at Sundance this year and in which he is the "heart and soul"). His performance here goes far beyond what one would expect from someone so young, and is nothing short of spectacular. This complex, quirky film has remained out of sight long enough. "Fierce People" is a treasure filled with light and shadow, comedy and tragedy, joy and pathos, but mostly wonder.

• I liked it!

  msdavamarie2008-09-05

  I thought this was a very good movie. Someone said it was 'sick' so they couldn't watch it. I think if you realize its rated R then you will be prepared for the nudity and drug use. It is a good story and the acting is amazing. Just can't be a prude to appreciate it! Its basically about a mom who does drugs and wants to get clean so she calls a very wealthy old friend and he moves them to his estate and crazy things happen. I guess it is a drama. I am just so sick of people who don't like movies because of cursing or nudity. That is the world we live in. You obviously aren't comfortable with yourself if you can't see things like this movie. And it's rated R. So, that should tell you from the beginning that its not all peachy happy rainbows. I liked it. I think you will too!

• Very well acted

  hinomoris2010-03-04

  A brilliant and sensitive movie with interwoven plot lines. As a general warning, the movie turns quite dark about half way through. As sudden as it is, this is a change that I found fitting to the themes of the movie, particularly the comparison of the Ishkanani to the filthy rich, and (as is said by Finn at the end) how each person makes up the tribe, and how the whole tribe is reflected in each person. Anton Yelchin (Finn Earl) is spectacular in this movie. He is probably best known as Chekov from Star Trek or Kyle Reese in Terminator Salvation, but he's been in a whole plethora of movies you've probably never heard of (Alpha Dog, which is another brilliant performance on Yelchin's part, House of D, Hearts in Atlantis, to name a few...) The point is that this kid really takes this movie and makes it his own. Other excellent performances from Diane Lane and Donald Sutherland are what takes this movie up a notch, from great to excellent.

• Intelligent and Enjoyable Movie

  eastbergholt20022009-10-14

  I really enjoyed Fierce People. I discovered the film by accident, searching through my On-Demand movie lists trying to find something interesting to watch. The film has an impressive cast and it quickly grabs your attention. The film's characters are smart and articulate and the story doesn't stick to the usual Hollywood rules. The main protagonist is Finn, a precocious, but underprivileged 15 year old who spends his summer with the Osbourne family. Donald Sutherland plays the patriarch, Ogden C. Osborne, the seventh richest man in America. Diane Lane plays Finn's mother, a friend of Ogden who is also a habitual cocaine user and a slut. The Osbournes own a large estate and seems to live by their own rules. At first they seem charming and sophisticated but the film implies that the super-rich are different. They are used to getting their own way. The film is enjoyable mainly because it has crisp intelligent dialog, superb acting and a story which takes unexpected turns. It is also an R rated movie, so it's not entirely wholesome. Anton Yelchin is believable and sympathetic in the demanding role of Finn. Sutherland and Diane Lane have never been better. Chris Evans is impressive as Osbourne's duplicitous and devious grandson. Kristen Stewart is good as the pretty grand daughter. High quality movie.

• What the hell just happened?

  mattbaxter722010-01-27

  I literally have no idea how to rate this movie. It comes in two halves, and I quite liked both of them, but the two halves belong to completely different films. Have you ever been driving down a quiet country road near your house, taken a left turn and suddenly found yourself in Helmand Province, Afghanistan? That's what this movie is like - there's a tonal shift around the halfway mark that's so jarring, so out of place with what's gone before, that it left me utterly dumbfounded, staring at the screen, saying over and over 'That didn't really happen, did it?' If I've got trouble with it, I can only take pity on the people who had to market this movie. It's a pretty light comedy for the first half - all wacky families, odd-but-cute kid taking his first steps towards manhood, that sort of thing, and it's all very well done. And at the centre of it all is Donald Sutherland, never better in the role of a patriarch who has made scads of money, but lost out in many other ways. It's light and frothy and amusing and - then. Then the event happens, and everything turns VERY dark indeed. The second half plays more like a socially conscious melodrama, with teenage pregnancy, class division and... other issues. It's good too, for what it is, but that seismic shift in the middle of the film makes it all pretty hard to stomach. So do I recommend this movie or not? Hell, I don't know. Both its parts are very good, but they add up to a baffling whole. I realize that that isn't necessarily very helpful, but you probably ought to be warned that this has been marketed as a comedy, and an enjoyable coming of age movie. That's true, but only up until the halfway mark...