Mangal Pandey: The Rising (2005) is a Hindi,Urdu,English movie. Ketan Mehta has directed this movie. Aamir Khan,Rani Mukerji,Toby Stephens,Coral Beed are the starring of this movie. It was released in 2005. Mangal Pandey: The Rising (2005) is considered one of the best Biography,Drama,History,War movie in India and around the world.
Mangal Pandey - The Rising is an epic tale of friendship, betrayal, love and sacrifice set against the backdrop of what the British called the sepoy mutiny but which for the Indians was the First War of Independence. 'Company Raj' as it was known, had been plundering the country, treating the locals unjustly and causing widespread resentment. During a fierce battle in one of the Afghan wars that the Company fought in the mid-century, Mangal Pandey, the heroic sepoy, saves the life of his British commanding officer, William Gordon. Gordon is indebted to Mangal and a strong friendship develops between them, transcending consideration of rank and race. The friendship is soon challenged by the introduction of a new rifle called the Enfield. The new rifle has come with a new cartridge which is rumored to be coated with the grease of cow and pig fat. The new cartridge has to be bitten before it is loaded, which ignites anger and resentment among the Indian sepoys. The cow is sacred to the ...
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An Almost Perfect Masterpiece
What is the definition of a good movie? Has there been any movie ever made that satisfies everyone's definition of a good movie? Perhaps not. My definition of a good movie is something that commands my attention from start to end and that helps me exercise my intellect. A good movie makes me feel good when I talk about it. A good movie can belong to any genre and can definitely have its own style (sometimes completely original). The Rising did not have a focus on the character development of all of its lead roles, like a typical movie, but that seems to be intentional. It was a little frustrating to see some movie experts dwelling on that issue. The rising is about the character transformation of an idealistic but confused man called Mangal Pandey. It shows how he realized the true meaning of freedom and how it was passed on to an oppressed nation. The minute details of his personal life did not need any depiction in the movie. That could stir up even more controversy especially for some people in our subcontinent who need so little to feel offended and create chaos. The movie also shows the genuine remorse of a great soul like Captain Gordon who constantly tried to bring balance between rule and fairness. Hundred years old history became alive in the remarkable performances of the crew and the cast in this movie. The movie is a masterpiece in almost all aspects. I sincerely have not seen many Indian movies of this standard. The only criticism I would have is the placement of the holy festival which could have been discarded in favor of showing more development of mutiny preparation, politics of the Indian kings and above all some more drama. The last 15-20 minutes seemed to have hasted a bit. The dance sequence of the two gypsy girls also felt a bit out of place. Overall, I must say that I felt deeply satisfied after watching this movie.
Truly Inspiring !
I watched this movie on the first day of its worldwide release. The theaters were full and understandably so. There has been much publicity done for the movie besides scheduling a worldwide simultaneous release and bringing back a "new look" Aamir Khan after a long sabbatical. And the 18 months Aamir spent growing his hair , has come to full fruition with an acting performance like the one in this movie. The sedition of 1857 which signaled the inception of the Indian Independence process and the eventual exaltation of Mangal Pandey is a much sought after theme in mainstream Indian cinema. There have been a couple of very good adaptations of this theme in the past. What distincts this one from the rest is probably the inspiring presence of Aamir Khan. Aamir Khan's acting is stupendous. Classically portraying the unnerving bravado known to have been a distinct possession of Mangal Pandey in Indian history books, Aamir Khan sports long hair and a lengthy moustache , while he abuts cannons, crafts uprisings and inspires the audiences. Although adhering a lot to the quotes of history, Ketan Mehta has exercised some freedom. In fact, Aamir Khan himself was found quoting something to this effect in an interview to a certain magazine. The movies shortcomings come from a vain effort to include the quintessence of Bollywood cinema in this movie - song , dance and color. Also , there is the superfluous sleaze. Ketan Mehta seems to have had a itching inclination towards resorting to song and dance at the turn of every climax. This movie could have been a masterpiece if only they would have lost the couple of female "leads" to oblivion and lessened some of the "color".
An epic that shouldn't be missed!
Mangal Pandey The Rising is a film that has enormous expectations (probably no other film in recent times has been awaited to this extent). And the main reason for this hype and huge expectations is Aamir Khan the superstar makes a comeback to the silver screen after 4 long years Mangal Pandey is a story set in the year 1857 when India was in the grasp of the East India Company. Mangal Pandey (Aamir Khan) is an ordinary sepoy (soldier) who serves the Company's 34th regiment. We see the story through the eyes of Mangal and his superior officer William Gordon (Toby Stephens), who share a deep friendship. The Company introduces a new rifle called the Enfield that requires the sepoys to bite into grease that supposedly contains cow and pig-fat, and that is where all the trouble starts. It becomes a religious issue as cow is sacred to Hindus and pig is taboo for Muslims. This incident transforms Mangal from an ordinary soldier serving the British to a rebel who sacrifices his life and in turn, provides that spark to begin India's independence movement. So the story of Mangal Pandey is not about the actual Uprising, but the hero whose sacrifice sparked this whole movement. The film depicts the situation prevalent in Barrackpore in 1857. Scriptwriter Farukh Dhondy has taken cinematic liberties and he blends fact and fiction. Rather than giving the audience a history lesson as documented by the British, writer Farukh Dhondy and director Ketan Mehta introduce fictional characters and fill the narrative with folklore. To both Mehta and Dhondy's credit, all this is shown without sounding like a boring documentary or a history lesson. However, the script has its pitfalls and could have been a lot better. The biggest problem of the film is that it does not have a smooth flow. This is partly due to Dhondy's script, partly due to Mehta's direction and mainly due to Sreekar Prasad's inconsistent editing. Many scenes seem like they were cut and pasted haphazardly. Many characters are introduced and then later they are nowhere in the narrative. Songs (except Mangal Mangal, Main Vari Vari and Takey Takey, to an extent) are forced into the narrative and appear at wrong points. Most characters seem under-developed; even Mangal Pandey's character could have been developed much better. Why, then, did I like the film, inspite of so many flaws? That is because the film has something magical to it that it endeared to me despite all its obvious flaws. At the end, I left the theatre satisfied. The film is technically, a world-class product and epic in scale. Scenes like the war in Afghanistan, the torch scene with the sepoys and Mangal surrounded by a massive army are shot so exquisitely that they give you the goosebumps. Himman Dhamija's dazzling camera-work and Nitin Desai's impeccable art direction take you back in time and convince that you are in 1857. On the whole, the film manages to stay rooted in that period and achieves that late-19th century feel very well. The visual effects of the film are a treat despite minor hiccups. Costumes by Lovleen Bains are good overall, but some costumes like those of Tatya Tope and Rani of Jhansi shown at the end seem straight out of a fancy-dress competition. Action sequences by Abbas Ali Moghul are aptly designed. The sound effects are superb ..the sound department has done an outstanding job. A.R Rahman's music is disappointing except for the rousing title track Mangal Mangal and the 'mujra' Main Vari Vari; Rasiya is also good to hear, but it has no use in the movie. But the background score also done by Rahman is impressive. The dialogues of the film range from a few mediocre lines to excellent ones. Generally, the dialogue is good ..sample this "Hum apne hi desh mein acchut hain (We are untouchables in our own country)", says Mangal to Gordon. Now to the performances ..a superhuman effort was expected of Aamir Khan and the superstar-actor does not fail to deliver. Though he's let down by the script .as I said before, Mangal Pandey needed to be fleshed out better, Aamir gives his soul to his character. Be it the drunken scene with Toby Stephens where they play a prank on a British officer; or the rage he displays when he's beating up a senior officer; or the calm intensity in his eyes when he walking up to face his death Aamir shows his tremendous range as an actor. But still, his brilliant performance does not seem as glorious as it should, because his character is somewhat diminished by the script. Toby Stephens is the biggest surprise he matches Aamir step-for-step as the kind and sensible Gordon. He's worked hard on his character as well as his Hindi and he's also helped by the fact that Gordon is the best-written character of the film. Rani Mukherjee as the nautch-girl Heera is in top form in the 'mujra' Main Vari Vari and she shines even in her short, underdeveloped role. Amisha Patel does not have anything to do at all. The supporting actors are almost like cameos. However, Mona Ambegaonkar as the nurse and Mukesh Tiwari as Bakht Khan leave an impact. To be frank, the film is inconsistent all along the way ..but despite all its obvious flaws, it is still brilliant, magical cinema. There is too much of candy-floss in Hindi cinema at the moment, and we need more films like Mangal Pandey, Swades and Sarkar which are easy targets for criticism but these films show you what cinema is all about. Ketan Mehta's epic is a tad disappointing, no doubt and it could have been a lot better but this is one film that should not be missed. Check it out at least once ..as for me, I'm already thinking of watching it a second time because I'm sure I've missed out on quite a lot of finer points in the movie .Mangal Mangal Ho !
Impressive, Inspiring and truly amazing!
The first thing you would want to do is stop comparing it to movie like Lagaan and Bhagat Singh. This movie brings a new freshness and perspective to Indian Cinema. It's the story for a SIPOY called Managal Pandey who began the first revolt against East India Company rule in India. The story is not very gripping but that's were it makes a big difference. Aamir Khan who plays the role of Mangal Pandey is so much into the character. It's not being a Hero or how he inspired the freedom movement. Moreover, it's about how a man realizes the true meaning of freedom, self respect and courage. This movie completely revolves around Mangal Pandey and William Gordon (Toby Stephen who plays the role of Captain in the East India Company). Toby has quite a role and he lives up to it. Rani Mukhurjee and Amisha are more like guest appearances as they don't drive the story. Rather they are very aptly used in the movie. This movie is a must watch. The look in the eyes of Aamir Khan and Mangal Mangal Song is what you would take back home. Aamir khan is a legend in making!
I just watched this movie today and it was so good that I had to write something about it. We have all waited for Amir Khan movie for long and now we know what took him so long to complete this one, its probably his best after Lagaan, awesome performances, very thrilling sequences and superb direction/ story. Its worth every penny and every minute of your time. " All up MANGAL PANDAY-THE RISING is hands down one of the BEST films to come out of Bollywood Cinema in one time and is a film that commands respect while arousing patriotic feelings in full blast without being jingoistic. While watching the movie the viewer appreciates the very fundamental thing that we have as a Indian today-FREEDOM. A standing ovation to the entire team of MANGAL PANDAY...and I would even go as far as to call it a Modern Day Classic!" source : website