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Thakshak (1999)

Thakshak (1999)

GENRESAction,Crime,Drama,Thriller
LANGHindi
ACTOR
Ajay DevgnTabuAmrish PuriRahul Bose
DIRECTOR
Govind Nihalani

SYNOPSICS

Thakshak (1999) is a Hindi movie. Govind Nihalani has directed this movie. Ajay Devgn,Tabu,Amrish Puri,Rahul Bose are the starring of this movie. It was released in 1999. Thakshak (1999) is considered one of the best Action,Crime,Drama,Thriller movie in India and around the world.

Nahar Singh's (Amrish Puri) fore-fathers and he have sworn to protect the family and heirs of powerful underworld don, Jodhabhai and his heirs for generations. Nahar would like his son, Ishaan (Ajay Devgan) to continue this tradition, to which he is willing as he friendly with Jodhabhai's son, Sunny (Rahul Bose). Ishaan's vow begins to falter when he falls in love with Suman Dev (Tabu). Things gets even more complicated when Suman comes forward to testify that she witnessed Sunny's car being driven from the scene of a multiple homicide. Sunny finds this out and asks Ishaan to chose between him and Suman, and Ishaan choses Suman. Things escalate out of control when Nahar is killed; and Ishaan becomes a prime suspect in the multiple-family homicide.

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Thakshak (1999) Reviews

  • An under rated gem!

    mbanwait2002-10-17

    This movie is quite under rated. Yes it has a low budget, but it has some great character actors and an intriguing story line. But credit has to be given to new comer Rahul Bose whose turn as the hyper violent and unpredictable Sunny is terrifying and one of the best portrayals of a psychotic character in Hindi cinema since Shah Rukh Khans Darr. Yes the pace is at times slow but the scenes with Rahul Bose and Ajay Devgan will have you on the edge of your seat. I hope to see Rahul Bose in more mainstream hindi cinema in the future as he has great acting talent and could even bridge the gap and enter into hollywood films.

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  • Can a good woman make a 'bad boy' into an honest man?

    vaijayanthi2005-12-28

    Can a good woman make a 'bad boy' into an honest man? That's the theme of ThakShak - it's not that Ajay is deeply bad, it's just that he has grown up in a mafia (Hindu) family that is competing with the Moslem mafia for big real estate deals in Bombay - and that sometimes leads to ugly power struggles, beatings & guns. Ajay 'by chance' meets Tabu, an intensely idealistic poet & a dancer. Tabu's character can barely deal with the violence she sees around her and so Ajay quite naturally keeps his real life a secret from her until ... ... Their relationship is very sweet very believable. He seems to be in awe of her intelligence, her talent, and her purity. Perhaps it is Ajay's mother who has kept his soul pure all these years as she anguishes over the tormenting (to her) life her husband Amrish Puri has led. Puri is excellent here and his deep voice reminds me that I miss him - in spite of what he did in Koyla! Ajay's acting here is wonderful, he's deeply conflicted, tender and tough --- and he looks great ... ... and he looks real ... good. Uh huh! His struggle to find himself and choose between Tabu's ideal world and the violence he has grown up with is well portrayed. Also the intrigues between the politicians and the mafia guys are interesting. I really like this film. It took me a long time to get a DVD with subtitles and as a desperate Ajay fan I (foolishly) have copies without subtitles that freeze up at various points ... (idiot!) ... that I have watched a few times anyway for the music and for Ajay. I feel ThakShak has been under-rated and neglected. For one thing AR Rahman's music is superb! Ajay's romantic number by the pool at night is a treasure for all Ajay fans ... and Tabu's dance numbers are very good. The nightclub singer girl is OK, but her numbers are a little glaring perhaps a nice contrast to Tabu's gentle world. Rahul Bose is not one of my favorites, but he gives a good performance in this film. He loves guns! The night club numbers were too crass for my taste - even though I suppose they might have suggested the whole mafia vibe and as you say Rahul's psycho thing. The scene where Ajay is fighting the terrorist in the back room cut with one of her songs works in that both activities are somewhat ugly and violent. I find the slow pace of Thak Shak very appealing. I like to put it on now and then to watch the relationship deepen between Ajay and Tabu. I love the moment when - after Ajay has rescued Tabu's relative in the road and actually 'formally' met Tabu in the hospital - Tabu is sitting on the grass in some park and Ajay walks up to her and gets the most adorable vulnerable smile on his face that she (and me!) cannot resist. Also I love the scene where he spots her sitting in the bus - he looks so perfect as the totally unconscious (hormonally driven) young male looking around at nothing and then fixating on the girl in the window. So sweet, so human ... ... I feel that the characterizations and their development were handled with sensitivity and depth. The young mafia thug takes a real interest in his girl friend's poetry and her poems are profound. These people hold my interest. Thak Shak is an action film, but with deeper insight than usual and offers Ajay an opportunity to show off his evolving acting skills. He comes up with some very interesting 'conflicted' facial expressions. I also really love Tabu's wet sari number, "talking to raindrops" - the film definitely has some great Rahman songs. This is not a great film, but still very good in many respects and I recommend it. I highly recommend this film - especially to Ajay fans, but also to all BW fans. ThakShak (1999) is compelling, well produced, with great Rahman, and a good story. This role is probably the one that led to Company (2002) for Ajay.

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  • A very different movie for bollywood to understand....

    rm_shinde2003-04-23

    hey guys, i say, 2 thumbs up for Govind Nilhani, this is one of the finest films i have ever seen about the underworld, and the intricate relations of dons and political leaders. this movie shows the actual way a gun is used by underworld don's. it does try to preach something to these people from ajay devgan's role too. rahul bose is at his best, an awesome performance by him. also ajay devgan, gives is acting career a boost using his eyes to convey his feelings. the story line is simple and the usual one used and reused by all directors and producers, but what makes it different is its handling. it keeps on the edge of ur seat, till the end. it makes u think and analyze what u r seeing. every thing looks perfect, logical and to the point. this has made the pace of the film little slow, but that doesn't deny credit to all those who strived to make this movie the way we see it. i would recommend u to watch this movie......i believe that bollywood too can give movies of great quality and substance to talk about. rahul

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  • Slow movie - well made

    lordguha2000-04-25

    The plot is quite simple. Ajay Devgan is part of the Bombay mafia - he meets Tabu - falls in love - and wants to get out of the underworld and start a decent life. The difference was the direction, screenplay and the music. Govind Nihalani has made a really slow paced movie - but it is never boring. With a lot of slow motion scenes interweaved with the actual storyline the movie moves at anything but a fast pace. However no bit of the movie is boring, superfluous or unnecessary (apart from a couple of songs at the end - but someones got to please the masses). All the characters put in a great performance - not the least being Tabu and Ajay. There were some good songs but by the end of the movie they seemed out of place. All in all Thakshak is a different action movie. Not too much gruesome violence but with a lot more intensity and power in the dialogues and in the acting. I would easily give it a 9/10.

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  • One of the most underrated masterpiece of bollywood which didn't got its due

    sid-coolking2018-08-06

    Ajay Devgn subtle and Rahul Boses stunning villain portrayal was the highlight of the movie...Tabu was average and Amrish Puri was also amazing but there was one flaw which was the addition of songs which spoils the flow and a fact cannot be denied that it was the era of 90s where no film can work without songs... This films didn't require any song as it focussed on underworld in the form of real estate mafia...Direction was perfect and dialogues were also nice...For me it's a highly recommended film just because of the performances and some good direction...No where close to COMPANY, VAASTAV and leave SATYA behind which I consider the best gangster film as well as of bollywood too but has its moments. Nobody would be disappointed.

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