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The Night the Lights Went Out in Georgia (1981)

The Night the Lights Went Out in Georgia (1981)

GENRESDrama,Music
LANGEnglish
ACTOR
Kristy McNicholDennis QuaidMark HamillSunny Johnson
DIRECTOR
Ron Maxwell

SYNOPSICS

The Night the Lights Went Out in Georgia (1981) is a English movie. Ron Maxwell has directed this movie. Kristy McNichol,Dennis Quaid,Mark Hamill,Sunny Johnson are the starring of this movie. It was released in 1981. The Night the Lights Went Out in Georgia (1981) is considered one of the best Drama,Music movie in India and around the world.

Country singer Travis (Dennis Quaid) and his younger sister Amanda (Kristy McNichol) travel to Nashville, Tennessee to find fame as singers. After getting into trouble with the law, Travis is sentenced to work detail at a prison farm. Amanda ends of falling in love with a police officer Conrad (Mark Hamill) who tries to help Travis out.

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The Night the Lights Went Out in Georgia (1981) Reviews

  • For Fans of Country-Western Films

    Rainey-Dawn2014-06-28

    I saw this film several times as a young teen. It's not the greatest film but it's not bad and a little bit underrated on IMDb. The country music film is a comedy-drama with a little action thrown in here and there. The movie also has a little romance in it as well. It is one of those lesser known films that I think more people would like if they took the time to view the movie. Fans of country-western films like "Urban Cowboy", "Cole Miner's Daughter", "Crazy Heart" and "Tender Mercies" might like this film. The movie is also a good recommendation for the people that like "hidden gems" - films that most people have forgotten even existed. Give "The Nights the Lights Went Out in Georgia" a chance one day when you are in the mood for something different than your normal film genre favorites. 7/10

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  • Surpringly Very Good!

    angelsunchained2009-10-04

    I saw this film when it first came out in the early 1980s. I had a big crush on Kristy McNichol and just had to see this film. Somewhat an offbeat mixture of country humor and drama, The Night The Lights Went Off in Georgia starts off like a cornball comedy and ends up deadly serious.Kristy McNichol proved she could sing and was very good in "Baby Bye-Bye". Dennis Quaid was an up-coming star, and his rugged good looks, and boyish charm are backed up by his extremely well singing talents. Amazing that Quaid didn't become a country music singing star, I thought he was that good. Mark Hamill is pleasant as the love-struck cop, but it's an "ice-cream cone" performance. The late Sunny Johnson looked beautiful, and it's a real shame that this talented actress died so young.

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  • has become a classic !

    christopher-vock2006-01-21

    If you like road movies, tear-jerkers and real rock'in country music,u will just loooove this flick ! One of my favorites. I wish I could find a decent soundtrack in any format. My VHS copy seems to be a copy of a copy of a copy ie not the best quality... I watch this movie every 2 years.....The cast is great and the acting is too. In the old days one went to the flicks to cry, laugh & be moved or excited. This ones does it for me ! I particularly like one of the first scenes (filmed from hi up in a 'copter, showing their red truck rolling down the hi-way with guitar music blasting ! (well I do put the sound up real LOUD...). The only thing missing is me following behind on my 1939 red Indian Chief !

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  • McNichol is terrifically sexy, but ragtag comedy-drama is just adequate...

    moonspinner552005-11-27

    After 1980's "Little Darlings" grossed some $40 million at the box office, everyone credited scene-stealer Kristy McNichol with its success; the teen actress then had the opportunity to do anything she wanted...and she chose this comedy-drama with country music. Why? Because she gets to sing, act sexy and tough, be soft, and do a drunk routine (which doesn't come off--she's one of the most unconvincing drunks ever). McNichol plays business-minded sis to brother Dennis Quaid, a hell-raising, skirt-chasing musician, but his scrapes with the law make Kristy turn to cop Mark Hamill for help. That's the whole plot, really. The picture is such a mess from a director's standpoint, I can imagine the editor (Anne Goursand) sitting at her cutting machine surrounded by reels of film going out of her mind. Pieces of it are energetic, McNichol is engaging, but the guys are colorless, the writing is pedestrian, and the ending is dopey instead of moving. The rather ungainly title is lifted from a 1972 hit song, which has been rewritten completely and rerecorded here. Why did they bother using it at all? ** from ****

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  • A solid and seriously underrated sleeper

    Woodyanders2007-11-09

    Loosely based on Vicki Lawrence's notoriously trashy country story song, this unexpectedly amiable and engrossing dramatic feature about ordinary small-time dreamers who aspire to greater things in life makes for a perfectly nice and affecting character-oriented slice-of-everyday-life affair, specifically centering on how going for the gold in life takes a lot of courage and determination. Dennis Quaid portrays his part with a winningly scruffy, roguish charm; he's a reckless ne'er-do-well womanizing hellion striving to make it big in Nashville as a country singer. Kristy McNichol is likewise on the money, radiating her usual spunky appeal as Quaid's headstrong, ambitious and highly precocious 16-year-old sister who acts as Quaid's manager and does her best to keep her wayward brother in line. The duo's major league plans go astray when Quaid runs afoul of belligerent sticksville town sheriff Don Stroud. Quaid, Stroud and McNicol all give fine performances, but it's Mark Hamill who takes the acting honors with his shockingly good turn as the decent, sympathetic state trooper who befriends McNicol and falls in love with her. Director Ronald F. Maxwell shows a lovely, uplifting sure feel for these hugely endearing commonplace individuals, depicting their mundane lives and go-for-the-glory aspirations without the slightest whiff of cheap sentiment or condescension. Moreover, the country music score totally cooks, with both Quaid and McNicol contributing a few surprisingly up-to-par tunes (yes, they both sing -- and extremely well, too!). Granted, this flick ain't without its flaws: the meandering opening third starts off pretty shaky and the tragic ending is abrupt and dissatisfying. But overall this unjustly overlooked picture rates as a real sleeper.

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