The Prisoner of Second Avenue (1975) Reviews

• Wonderful!

  cougar782004-02-05

  I loved this movie.It wasn't depressing in the least.Neil Simon has written many brilliant and funny plays,this being one of them(and The Out of Towner's,also with Lemmon).Jack plays a man who gets fired from his job after working there half his life.Anne plays his wife who gets another job while Jack has a breakdown and they struggle to go on with the everyday life and calamities that face them.I laughed at so many of the lines.I laughed when Jack Lemmon was yelling at the New Yorkers out of his balcony after his house had been robbed,i laughed when he was banging back on the wall at his neighbours,when he and Anne had to climb all the stairs because the elevator is broken,the look on their faces is painful but funny! Jack could play a miserable on-the-verge-of-a-nervous-breakdown man,and make you really laugh aswell. Also features a young Sylvester Stallone before his Rocky days. I love it and its one of those films i can watch over and over.

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• Terrific comedy drama

  hayden-82002-03-21

  I must confess I have a bias for films of the seventies. Most of my all time favourite films were made in that decade and this is one of them. Jack Lemmon is a New York middle executive who is retrenched. We watch as he slides into depression. Their is some fine humour in this film, which, incidentally was not well received critically, but it is really the underlying drama that makes this such a great film. It is an intensely personal film for me and, apart from some overacting, there is little I can criticise. It is an incisive and briskly paced comedy drama which I never tire of viewing. By the way, watch out for cameos by pre-fame Sylvester Stallone and F. Murray Abraham.

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• A Hearty Approval of a Wonderful Film

  Colby1999-09-23

  Being a Jack Lemmon fan, I can't help but be biased when it comes to watching his films. But I have to say, even by Lemmon's standards, "Prisoner" is one of his finest performances. He displays a broad range of emotion as Mel Edison, a corporate exec who falls victim to the unemployment crisis of the seventies. Anne Bancroft is nicely cast as his wife, Edna--it's almost hard to believe watching this film that this is the same woman who played in "G.I. Jane" as a crooked senator. And, although another viewer here frowned upon the casting of Gene Saks' as Mel's brother Harry, I always enjoy seeing the director in front of the camera (Saks directed another of my faves, "The Odd Couple"). The direction is pretty tight, and the interludes between acts include humorous voice-overs from a fictional radio announcer (you'll have to listen closely to catch some of the jokes). Look for Sylvester Stallone in a cameo appearance. I heartily recommend this film to all Jack Lemmon fans, as well as to those who enjoy a good comedy that's not all slapstick and guffaws.

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• "Where you gonna get the watah???"

  blanche-22009-02-01

  That moment of Anne Bancroft's is my favorite part of the entire film, often imitated where I used to work. No one loves urban blight like Neil Simon, and no one depicts it as well. "The Prisoner of Second Avenue" goes much further than "The Out of Towners" because now, the leads (Jack Lemmon and Anne Bancroft) are actually living in a New York apartment, sleeping in 12 degree air conditioning in their bedroom during a heat wave and sweating everywhere else. Simon leaves nothing out: not having the right change for the bus, the elevator being out, no water, noisy neighbors, mean neighbors, a cheaply put together building, robberies in broad daylight, etc. Lemmon plays a 22-year veteran of a business who is fired, suffers a nervous breakdown, and goes into psychiatric care. His problems go beyond the loss of his job - he has to cope with his country dwelling brother Harry (Gene Saks) and his two sisters (Elizabeth Wilson and Florence Stanley) who want to help but only succeed in being aggravating. Also, his wife has gone back to work as a production assistant and is never home. This is really a comedy-drama that shows the enormous range of both actors. The beautiful Bancroft is great as an empty nester who tries to be supportive of her husband, who is losing it, as she goes toward the same territory; Lemmon is alternatively a riot, as annoying as Felix Unger, and as sad as his character in "Save the Tiger" while he attempts to work through his issues and find out who he is. With a high rise at Second Avenue and E. 88th St. as a backdrop, "The Prisoner of Second Avenue" is timely today because it takes place during a recession. Suddenly, a lifestyle that wasn't so outrageous to begin with is hard to keep up, and nerves fray. City dwellers won't find it difficult to relate to this film, and today, with jobs cuts and loss of income, nobody will. Lots of fun.

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• Pertinent Prisoner

  jimmylee-12008-08-06

  I've always thought of Neil Simon as being the one playwright consistently able to capture the genuine flavor of New York as a backdrop to the realistic personalities of his characters. Not being a New Yorker - Silicon Valley is about as far away as you can get - I'm afraid I have not been drawn to movies of his plays as strongly as to other comedies. But Prisoner of Second Avenue is an exception. Maybe it's because I am indeed in Silicon Valley, where layoffs are something we all get to experience. But this movie captured so aptly the craziness of being laid off, staying home all day - seeing only the one you love (but starting to hate him/her too as an extension of your own self-hatred). Making petty grievances huge, and trying to pretend the truly huge issues no longer exist. And worrying about the bills, and the clothes, and how silly the family behaves when money gets involved. And how the bad luck seems to snowball. And how "therapy" sessions seem so futile. The acting is superb - but I don't know of a movie where Jack Lemmon and Anne Bancroft have ever given us any less. Bancroft, in particular, when she makes the transition to anger, is perfect. Thankfully we're not handed any sop at the end either. The subject is so realistic that I don't find it funny at all - but that's a failing of the times we live in, not the movie. A great flick.

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