SYNOPSICS
Tian di ying xiong (2003) is a Mandarin,Japanese movie. Ping He has directed this movie. Wen Jiang,Kiichi Nakai,Xueqi Wang,Wei Zhao are the starring of this movie. It was released in 2003. Tian di ying xiong (2003) is considered one of the best Action,Adventure,Drama movie in India and around the world.
North of the vast 8th century Tang dynasty Chinese empire, the commercially and culturally priceless silk route is controlled by 36 friendly Buddhist kingdoms. Their are threatened by Turkic nomad tribes, the caravans also by brigand bands. Japanese scholar Lai Qimay not return home until the emperor is satisfied with his missions to retrieve refugees from the barren border lands. The last is competent imperial lieutenant Li, who was proscribed for refusing to execute Turkic prisoners. He now lives among fellow warriors for hire as caravan escorts. Lai Qi and Li reach a gentleman's agreement to postpone their lethal duel till after the safe arrival of a caravan including a young Buddhist monk and his mysterious freight. When Turkic warlord Khan's daughter's hand seals an alliance with brigand sword master An, the only way out is trough the grimly dry Gobi desert.
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Tian di ying xiong (2003) Reviews
Well-crafted blend of depth & "heroic" realism
Though this is a "heroic epic" telling of the Golden Age of China, director Ping He does an outstanding job of blending depth of character with period- and action-realism within only 115 minutes. The springboard/wire-fighting is kept to a minimum and is subtly crafted. These are heroes who have skills far beyond the ordinary, and the fighting effects merely convey that without rubbing it in or going over the-top. Every major character is developed in this story except for the young monk, and you'll understand why at the end. We even spend a little time with Lai Qi's 3 loyal soldiers and their families, getting to understand what they've been doing and what is important to them. The plot does involve a magical object, but there are only two scenes with associated special-effects, which were as nicely done as any Hollywood CGI. The first time, it is essential to developing the story and our understanding of why these men will fight so hard to protect it. The second time, only to establish its proper role in the epilogue. There is a hint of a love-story, which I find unnecessary in films like these, but I didn't moan or groan here because it is kept deep in a minor subplot and used primarily to demonstrate that the protagonist is not truly a criminal or a bad man. Not that Ping He doesn't know how to tell a good love story, as he did brilliantly in 1994's "Red Firecracker, Green Firecracker" (Pao Da Shuang Deng). I think he was forced to add it, and simply relegated it to the lowest priority. I don't understand how someone could like "Jet Li: Hero" or "Crouching Tiger..." better than this film, unless they have little taste for dramatic, action-adventure epics, and must have a perfectly happy-ending every time. I thank thee, Buddha, that Hollywood hasn't taken over the Chinese film-making industry!
Good, but not great - more of a character study than a kung fu flick
I liked this movie but I was not awestruck by it. It has some excellent characters and a very engaging plot. There are a few lines that will make all but the most jaded filmwatchers smile. But this movie has a couple of drawbacks which mark it as a notch below other films like "Crouching Tiger" and the infinitely superior "Hero." Both of these films also had excellent characters and stories but were visually far a cut above. A BIG cut. "Warriors" uses jump-cuts and too-tight camera angles in an effort to hide the fact that many of its stars are not actually martial artists. The resulting fight scenes are very frustrating to watch. Like I said, the plot carries the movie along and it is indeed a good film, but I hate getting snookered by creative editing. Compare any fight scene in "Warriors" with, say, the extended battle scene between the two women warriors in "Crouching Tiger," most of which is filmed in medium shots that allow your eye to follow the line of action. IMHO this is a lot more impressive. Even the goofy wire work doesn't take away from that. But "Warriors" is worth a rent. You will care what happens to the characters. And you will see a very nice meditation on the question of what, as people of honor, we must do.
Worth a watch, still fun...
Warriors of Heaven and Earth is a decently made movie with some good plot developments. The fighting scenes. All of the fighting scenes were done relatively well, being more towards the real side of battle, instead of the fighting scenes from the other big names (Hero, House of Flying Daggers). My only complaint with the action scenes, is that nobody is affected by the death of their comrades. I understand you cannot stop fighting unless you want to join your brother in heaven, but they all took their deaths as the grim reality. I suppose in a way, it is more realistic (we're all going to die anyway, maybe he was lucky to get to heaven sooner). The camera work and plot however did do an excellent job of making you feel sorrowful when a character died. The romance. Wait, excuse me, romance? Vicky Zhou? What? This point nearly ruined the movie for me until I got back into the mindset of hey, there are good fight scenes, let's enjoy them. Vicky Zhou's character is completely extraneous and was a waste. Although her voice is nice as the narrator of the story, and she still has a pretty face, she was utterly useless. Not only did she not fight (unless you call the one to two minute scene in the end "fighting"), she had about 10-15 minutes of full, on-camera footage - mostly devoted to questioning Li's criminal activities. Overall. Lai Qi (Kiichi Nakai) and Li Zai (Wen Jiang) carry the entire movie. It's interesting that Jiang is not in the credited cast as he probably had the most screen time in the entire movie. Should you see it? There are a couple things to take into account. 1) If you're not used to HK films, this isn't a good one to start with, unless you abhor the Chinese humor in older less epic films 2) It will probably make you depressed. Maybe it's just me... What else has made me depressed you might ask? Let's see: So Close, Hero, House of Flying Daggers... I give it a 7 out of 10. I had hoped for something slightly better, but then again, it was realistic and the final battle scene reminded me of what the LOTR battle for Helm's Deep would have been if the good guys hadn't all survived -- Classic.
Incredible. Best movie I have seen in a long time.
This movie is the story of an Imperial Agent sent to bring to justice a murderer, his final mission before he is allowed to go home to his family in Japan. The murderer, a former army officer accused of mutiny when he refused to kill a group of women and children. The movie is the tale of their trek across the desert fighting against each other and with each other. The dialog was great, short and delivered impeccably by an incredible cast of characters. It has been a long while since I have seen such thoughtful, dramatic acting. The movie is shot mostly in the desert but it is all done beautifully and with exactly the right tone and feel. I enjoyed the period costumes and the fight scenes were extremely well choreographed. It is seldom that I watch a hollywood movie and come away feeling satisfied, I can only hope that Asia continues to pump out incredible movies like this one and that Hollywood will wise up and stop trying to feed me drivel like the Last Samurai.
Great movie
This film was a really great surprise. The characters were a lot of fun without being goofy or two-dimensional, and the story was complicated enough to be interesting without being overwrought and confusing. The locations were beautiful, and the costuming was great, too. The action was practically non-stop -- lots of chases and sword fights. It didn't have any of the hokey mysticism that so often appears in films like this (although there was a lot of acrobatic swordplay), opting instead for a grittier approach (with a notable exception or two). Definitely worth seeing.