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Un mundo maravilloso (2006)

Un mundo maravilloso (2006)

GENRESComedy,Drama,Thriller
LANGSpanish
ACTOR
Damián AlcázarAntonio SerranoCecilia SuárezErnesto Gómez Cruz
DIRECTOR
Luis Estrada

SYNOPSICS

Un mundo maravilloso (2006) is a Spanish movie. Luis Estrada has directed this movie. Damián Alcázar,Antonio Serrano,Cecilia Suárez,Ernesto Gómez Cruz are the starring of this movie. It was released in 2006. Un mundo maravilloso (2006) is considered one of the best Comedy,Drama,Thriller movie in India and around the world.

Once upon a time, Juan Pérez, the poorest of the poor, reaches fame in a fluke accident in what seemed to be an attempt of suicide, to protest against the government and his social condition. The Ministry of Economy, surrounded by the scandal in which he is blamed by Pérez's decision, decides to reward him changing his life giving him a little house, a car and a job. But when other poor people (Pérez's close friends) find out about his reversal of fortune, decide to imitate him faking suicide attempts in different buildings in Mexico City. The Ministry of Economy, terrified by the glance of having a plague of beggars, decides to declare poverty a crime and hence finish for once and for all with all the poor in the country. Pérez ends up behind bars. Three years later, Pérez is released and goes back to his previous social condition, but this time, aware of having one day as a rich man is better than a life as poor, he will do anything to get out of his misery... And he will manage to ...

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Un mundo maravilloso (2006) Reviews

  • I disagree

    cardoso_armas_marifer_co2006-04-15

    I would like to comment on Felipe's opinion about this movie. He says that in Mexico (also my country) the poor people are not as poor as shown in the movie... well, I disagree. In Mexico you can find people even poorer without even shacks falling into pieces, homeless living in the streets, under bridges. He also says the riches are not that rich, and I can't conceive he states that. There are some really wealthy families living in El Pedregal, Santa Fe, Las Lomas; and some politician families are, without any doubt, as rich as they want. And I won't even argue the third state about politicians being THAT corrupt, because statistics talk for themselves and Mexico is shown as the 6° most corrupt country in LA and the 64° in the World (according to the Corruption Perception Index of year 2004). And yes, the movie is barely OK, but Mexican cinema industry is getting better. And this movie is finally depicting the general situation in Mexico in a funny way, not like other really bad, sad movies. I recommend everyone to see the movie, enjoy it, and definitely, like Felipe says, don't think that's the situation in all the country, although it is in some parts. Watch the movie, and think it is telling just another story that could happen anywhere.

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  • Should I laugh, or should I cry?

    isaaci20032006-03-23

    When I watched this movie I thought I was going to sit down and enjoy a comedy and while it is very funny it is much more than a comedy. Immideately after every laugh I found myself thinking the same thing, "Wait, that's not supposed to be funny." Laughing at the shacks that thousands of people have to live in. Or, laughing at the fact that system is so mucked up that not even university-educated men and women can get a job as a janitor. These things are not supposed to be funny but Un Dia Maravilloso makes you laugh at them. Not that this film is evil for doing so. On the contrary, great satires make fun at things that are not supposed to be funny. The best example of this is Dr. Strangelove. The fate of the entire world is in the hands of these fools up the screen yet, we laugh at them (our world leaders included). This movie is more than a black comedy. It is a comedy that makes you regret every laugh. It makes you regret every time you laughed at the dirty hobo up the screen. I watched it while in Mexico City last week and loved it. It's as thought-provoking as it is funny. It truly made me change my outlook towards poor people (truly poor people, people who don't know if they'll survive another day because lack of money). After leaving the movie theatre on my way to the hotel, I gave every beggar I came across fifty pesos. It isn't much, but I'd like to think that I eased their battle in a small way. Besides highlighting poverty in Mexico it also brings about issues of corruption and social injustice. And which country in the world doesn't have any of those 3 things? Which is why you don't have to be Mexican to enjoy it. Run, don't walk, to Un Dia Maravilloso.

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  • A man who lives in extreme poverty, jumps into fame when by mistake he " tries" to commit suicide due to his economic situation.

    virginia0392006-03-19

    One of the best Mexican movies that I have seen.A wonderful way to make fun of the government in Mexico.It is a typical Mexican way of making fun of our own tragedies. The work of Luis Estrada (one of the finest Mexican directors)had its first great hit with "La Ley of Herodes" another movie of criticism to the corruption of not only Mexican government but also of the U.S. For a Mexican citizen it is very relieving to see this kind of movie that expresses much of that we all have in mind, but don't get to say it. I really recommend it, and I hope this kind of movies are seen all over the world ,so that Estrada's work be fully recognized. He deserves it.

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  • Not a very bright film

    grandenchilada2008-02-18

    I had really liked director's Luis Estrada dark political satire La Ley de Herodes and I was looking forward to this one. But A Wonderful World disappoints. It is a political satire/fable, and the premise is interesting. In a not too distant future, the Mexican Minister of Economy declares there is no more poverty in Mexico and plans to run for the leadership of the World Bank. However, a homeless drunk gets in his way. On paper, the movie should work like a charm. It's a very dark satire of the Mexican elite's indifference to the poor. But the execution is very flawed, even if the film boasts a veritable roster of some of the best Mexican acting talent around. This is what really bugged me: The rhythm is glacial. The plot meanders. And every scene is way too long. Every scene could have been cut in half and it would have still expressed its point, but Estrada loves the sound of characters cursing colorfully yet endlessly. He and his co-screenwriter, and the editor haven't apparently gotten yet William Shakespeare's memo that brevity is the soul of wit, and so it is with this film -- long and increasingly witless. Satire requires precise, surgical timing, economy of words and feelings and a coldish heart. None of this is in evidence here. There is a virulent strain of sentimentality coursing through this film's veins that really is unbearable. It's so bad that in scenes where the bum cries you can actually hear they added sniffles in post-production. So cheesy! There is a ridiculous, rather offensive love story, between the bum, played with great panache, and quite some hambone by Damián Alcázar, and a poor woman called Rosita, played by the unfathomably ubiquitous Cecilia Suárez. Now why is this offensive? 1. Because Cecilia Suarez is not believable as an impoverished inhabitant of a slum. She is tall and pretty and white as snow and and her attempts at sounding low class are absurd. I wonder if there are no other Mexican actresses available that don't look like they were born with a silver spoon in their mouths. She seems like she's trying to channel a silent film actress and the comic character of La Chilindrina, and she is not only insufferable but silly. Why could a poor woman not be anything other than a blathering, innocent imbecile? It is a disgraceful performance and no friend of anybody who is poor. 2. Because the Mexican rich and or middle class (and this includes the filmmakers) still think that the poor speak and behave like comic characters out of a 1940's movie. This may have been the intention, but it backfires, because instead of portraying them with some modicum of dignity, they are just corny stereotypes. Good hearted and innocent, to boot. This is patronizing. And patronizing is what the Mexican elites are and have always been to the poor. This is actually one of the points of the movie so it is rather maddening that this awareness didn't seep through to the way the poor are portrayed. The bum has a collection of bum friends (all great Mexican actors: Jose Carlos Ruiz, the great Jesús Ochoa and the great Silverio Palacios) and they are cool, but the direction as usual is as broad and unsubtle as if they were playing to the rafters in Azteca Stadium. 3. There is a sequence in a hospital which is a completely unnecessary, cheap, pathetic dig at Mexican Jews (which by the way, are like less than 1% of the general population). It's supposed to be a very fancy private hospital, called Sinai, and it seems like all the patients wear yarmulkes just so you don't miss the point that Jews are the only people in Mexico who can afford fancy hospitals, which of course is not true. An attempt at wit is to see signs for the spa and the golf course and the pool in the hospital's lush grounds. My heart froze when I saw this. It is amazing to me that screenwriters Estrada and Sampietro would write something so objectionable, so stereotypical, so inane and so uncalled for. 4. I can imagine what they were trying to achieve with the production design, which oscillates between the shiny modern Mexico and the slums, which are given a sepia, Fellinesque treatment, but even this seems pretentious and half baked. In short, a good idea terribly executed. Lazy and mediocre, written with more stupidity than wit.

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  • Mexico's reality

    fjauregui2006-03-17

    The director Luis Estrada does it again and criticizes the government, the society and the press. Damian Alcazar's performance as Juan Perez is great and it makes us remember the fantastic German Valdez "Tin-Tan". Ernesto Gomez Cruz, Jesus Ochoa and Silverio Palacios as the compadres are perfect as well as Cecilia Suarez. All the best Mexican actors are here, tough most of them in small cameos, the only one that is not here is Luis Felipe Tovar he would have been perfect as one of the compadres or a police officer. You will laugh a lot during all the movie except when the end is near and it gets a little dramatic, but all in all this is a great comedy. If you liked "La Ley De Herodes" you will also like the sweet and sour taste of "Un Mundo Maravilloso".

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